Street Artists


Chor Boogie

Instructor: Alessandro Abate, photographer

Alessandro Abate

Photography seems to be in Alessandro Abate’s blood. Sandro’s father had a photo studio in Venezuela when he was growing up and many of his earliest memories are of developing film in the darkroom and learning his way around a camera.

Sandro has been in love with Florida’s wilder side since he first came here in 1979 to study marine biology at the University of Miami. One of his favorite places to shoot is Everglades National Park, and with the dawn of good high-resolution digital photography, he has been able to experiment with a variety of techniques and equipment.

Sandro’s images capture the stunning brilliance of birds, butterflies and dragonflies, many while in flight. “My nemesis is a mating pair of red-shouldered hawks which nest every year near the visitor center at Shark Valley. Whenever I’m there I keep an eye out as well as my ears open for any sign of these birds. I like to catch them bringing building material to the nest, or prey to the young chicks, but they often fly in or out without making any sign. I also photograph egrets, herons, anhinga, cormorants, storks, gallinules and just about any kind of bird that wanders within range.”

In 2012, Sandro began photographing in Wynwood almost daily to document Miami’s beloved arts district. He recalls first getting bitten by the “Wynwood bug” during an art walk a few months before Art Basel. Fresh murals were being painted, street after street, like the La Pandilla mural outside of Wood Tavern. “It was mind blowing to see how they (La Pandilla) were producing it, sitting there with a paintbrush, line by line. It was exciting to see how the final piece was made.”

Sandro’s photography captures that essence, those specific creative moments which he considers very special. And he is right, witnessing an artist create artwork is different than just admiring the final product. Being present is almost intimate. It is an invitation to participate by watching the artist bring his vision to life. It creates a bond between viewer, the work and the artist that otherwise might be lost.

 

A photo posted by Sandro Abate (@sandroabate) on

DBOZIC ART A photo posted by Sandro Abate (@sandroabate) on

Rasterms

A photo posted by Sandro Abate (@sandroabate) on

A photo posted by Sandro Abate (@sandroabate) on

Renda Writer

A video posted by Sandro Abate (@sandroabate) on

Kevin Ledo & Findac A photo posted by Sandro Abate (@sandroabate) on


Art History Lectures

Issues in Modern and Contemporary Art and World Culture

Class Schedule

Saturdays at 2pm • $5 per class.

Area professors and visual artists will conduct these classes.

Free for members, North Miami residents,
and city of North Miami employees

Art teachers may register with Miami Dade County Public Schools for professional development credits. Reading list provided for each lecture: Schedule of topics are listed below.

DECEMBER

12/19 • The impact of Art Fairs and Art Market Speculation

JANUARY

1/16 Identity Issues: Feminist and Queer art
1/23 
• Identity Issues: Protest Art: (Re)constructing Spaces of Resistance
1/30 
• The Body: Baartman to Beyonce: Appealing/ Appalling Buttocks in Contemporary Popular Culture

FEBRUARY

2/13 • Place: Imagined Places and (De)Territorialized Identities in Postcolonial Black Arts
2/20 • Language: An Artist’s Perspective – Using letters, words and Spanglish phrases to interpret and re-purpose meanings addressing contemporary issues
2/27 • Spirituality: A Discussion of the Sacred Arts of Afro-Cuban Lukumi Religion

MARCH

3/5 • Identity Issues:  Nationality and Ethnicity
3/12 • Time: The Past is More Infinite Than the Future – Collapsing the linear

APRIL

4/2 • Handiwork, The Place of Craft in Art Today

4/9 • Street Artists

4/16 • Place: Imagined Places and (De)Territorialized Identities in Postcolonial Black Arts

Call 305.893.6211 to register by phone.