Open Systems: Works from the Permanent Collection

June 18 - September 8, 2013
Photo by Steven Brooke

Open Systems: Works from the Permanent

On view: June 18 – September 6, 2013

Coinciding with Dawoud Bey’s exhibition  Picturing People,” MOCA North Miami presents a selection of work from it’s permanent collection. These works embody the irregular results of seemingly routine commands.

Collaboration is a key component to elaborating on the complexity of artistic interaction. With Your Are Cordially Invited to Tea Time, 2008 , Susan Lee-Chun creates a table with place settings for four. The work suggests an interactive display and a stage, and the various roles of sculptural objects.

Continuously on view this spring, the site-specific installation by assume vivd astro focus (AVAF) uses immersive design and audio to  implicate the visitor’s in its convivial architectural scheme.

Los Angeles-based Elad Lassary works with television actors and props alike, arranging them amidst candy-colored scenes to expose the way people and objects perform, even when they’re off-duty.

Creating the untitled painting installation from his “This Sign Painting Project,” Francis Alys contracted professional Mexican billboard painters to replicate the artist’s small-scale diptych. The result is  a study in communication, skill, repetition and difference.

Works by Alex Hubbard and Paul Kos relate the sequencing of compositions or events to entropy, the loss of energy in a system. In his writing practice and in artworks across media, John Miller regularly alludes to waste materials to  in order to question the psychological impact of production lines. Alfredo Jaar’s multi-part photographic work  A Logo to America, 1987, combines text, maps and images to question the value and primacy of the American system, asking new questions about ways we approach reality.