Ragnar Kjartansson: Song

MAY 17 - SEPTEMBER 2, 2012 KNIGHT EXHIBITION SERIES
Ragnar Kjartansson, Me and my Mother, 2010

Ragnar Kjartansson, Me and my Mother, 2010

Ragnar Kjartansson, The End, video still

Ragnar Kjartansson, The End, video still

Ragnar Kjartansson, The End, video still

Ragnar Kjartansson, The End, video still

Installation view at MOCA, North Miami

Installation view at MOCA, North Miami

Installation view at MOCA, North Miami

Installation view at MOCA, North Miami

Installation view at MOCA, North Miami

Installation view at MOCA, North Miami

Installation view at MOCA, North Miami

Installation view at MOCA, North Miami

Installation view at MOCA, North Miami

Installation view at MOCA, North Miami

Ragnar Kjartansson, Du Holde Künst performance at MOCA.

Ragnar Kjartansson, Du Holde Künst performance at MOCA.

Ragnar Kjartansson, Me and my Mother, 2010Ragnar Kjartansson, The End, video stillRagnar Kjartansson, The End, video stillInstallation view at MOCA, North MiamiInstallation view at MOCA, North MiamiInstallation view at MOCA, North MiamiInstallation view at MOCA, North MiamiInstallation view at MOCA, North MiamiRagnar Kjartansson, Du Holde Künst performance at MOCA.

Ragnar Kjartansson: Song

Knight Exhibition Series

MAY 17 – SEPTEMBER 2, 2012

Ragnar Kjartansson: Song is the first solo US museum exhibition of the work of Icelandic artist Ragnar Kjartansson. A musician as well as artist, Kjartansson (b. 1976) has been drawn to the theater and performance since he formed a band in his teenage years. The exhibition includes a selection of video works from the last decade.  Kjartansson’s videos reflect an interest in music and theater and the personae of its performers, often coupled with extreme environments. The End (2008) features two musicians in a mountainous snowy landscape, while Satan is Real (2005) finds the naked artist buried to his chest in the lawn of a public park, playing a guitar.

In addition to his video work, Kjartansson has become known for inhabiting galleries and more unexpected locations where he performs live, often for extended periods. For the 2009 Venice Biennale, he painted portraits of his friend, every day for six months, in a crumbling palazzo on Venice’s Grand Canal. Kjartansson’s approach wavers between besotted optimism and deadpan, sometimes unnerving, directness. Ritual, repetition, and an almost hallucinogenic reverie share the stage with humor, levity, and a charismatic impulse to entertain.   The exhibition is organized by Carnegie Museum of Art in Pittsburgh and is curated by Associate Curator Dan Byers.

Watch Ragnar Kjartansson’s performance of  Du Holde Künst  at MOCA

Watch Ragnar Kjartansson’s Art Talk at MOCA